The Guardian's regular, 'band of the Week' feature picked up this guy last week. He is an artist with a distinctive sound and a fully realised aesthetic. The songs on his March 2015 debut album, No Now, are funk warped and mangled, smothered in quixotic synths. Paul Lester opines " It's not quite as radical as he probably thinks it is - anyone who has ever heard a Funkadelic or Parliament album will know that funk is no stranger to the strange and deranged, and the frenetic blipburst approach to fizzy sonics will be familiar to anyone who owns a 1973-5 Todd Rundgren album or a 2008 Max Tundra one… At its best, though - the controlled mayhem of Will to Believe, the mad maximalism of Hit Factory of Sadness, the blap-zap rat-a-tat of Let's Shoot Up and The Gospel Truth, which sounds like funk played by a swarm of bees - No Now is almost as good as Clarence Clarity thinks it is." Meanwhile Postmedia Breaking News reviews a new album/EP from Ener...
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