Jeff Spevak at the Rochester Democrat & Chronicle interviewed Jesse Gress about the tour. Again the fun begins when they chat about playing through notebook computers. ``You can mix-and-match speaker-cabinet combinations, various microphones set in front of the speaker cabinet, microphones moved various distances from the speaker cabinet,'' Gress says. But is this honest musicianship? ``Why is it a lie?'' Gress asks. ``As soon as you plug into an amp, you're simulating an acoustic guitar. It's not for technology's sake. Todd uses it to make his artistic vision a reality.'' And on the lack of big album sales since the 70's.``It's never one's choice to peak commercially,'' Gress says. ``It happens. The new record's doing really well in England; it's getting five-star reviews. They booked us in the Royal Albert Hall.[actually the Royal Festival Hall Jesse, but we'll let you off] Maybe this is gonna be a British thing."
Whilst the Decemberists have been around for a number of years, and a friend of mine is a big fan, I have to confess - a few tunes aside - they have never really made much of a splash with me. With their fifth album - 'The Hazards of Love' - a 17-track concept album that sort of tells a story about a fair maiden ravished by a shape-shifting demon (no, really) - however, I am suddenly find myself surprisingly won over. On some levels - like most concept albums - it is utter tosh, but with its repeating musical motifs and reprises, making you quickly think that actually there are only about five actual songs on the album - a clever trick. Like with all good concept albums this makes listening on shuffle not the ideal way to digest this album - especially as their are short 'interlude' pieces joining all the songs too. Added to all this the fact that the band seem to have a love for early 70's British folk/prog/heavy metal and this walks right up my street - and will ...
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